DUTCH


Tennis as a Political Pawn in New Performance ‘Pressure Point’ by Arlecchino Award Winner Vanja Rukavina. With English surtitles!
WIMBLEDON IS APPROACHING. OUR BOSNIAN-DUTCH TITLE FAVORITE VIKTOR RAĐENOVIĆ IS AT RISK OF BEING DENIED ENTRY DUE TO A NEW BALKAN WAR. WHILE VIKTOR LIVES ONLY FOR TENNIS, HE IS UNWILLINGLY BECOMING A PAWN IN POLITICAL GAMES. THIS IS THE NERVE-WRACKING THEME OF ‘PRESSURE POINT’, THE NEW PLAY BY THEATER MAKER VANJA RUKAVINA, WHO WAS HIMSELF BORN IN SARAJEVO.

THERE IS NO SPORT WHERE THE MENTAL PRESSURE CAN ESCALATE AS INTENSELY AS IN TENNIS. THE SCORING SYSTEM IS DESIGNED IN SUCH A WAY THAT THE PRESSURE KEEPS BUILDING—EVEN WHEN YOU’RE COMFORTABLY AHEAD. MUCH LIKE THE CRITICISM OFTEN FACED BY NOVAK ĐOKOVIĆ, VIKTOR TOO IS EXPECTED TO CONFORM TO THE EXPECTATIONS OF THE WESTERN PUBLIC AND MEDIA. ON TOP OF THE CULTURAL DIFFERENCES BETWEEN HIS HOMELAND AND THE NETHERLANDS, THE ENDLESS TRAVEL FROM TOURNAMENT TO TOURNAMENT IS BEGINNING TO TAKE ITS TOLL. THE TENNIS PLAYER NO LONGER TRULY FEELS AT HOME ANYWHERE. HE HAS TRAINED HIS ENTIRE LIFE TO WIN GRAND SLAMS, BUT NO ONE PREPARED HIM FOR THE RUTHLESS SERVES OF THE PRESS, POLITICS, AND PUBLIC.
TOP ACTOR AND TENNIS FANATIC VANJA RUKAVINA CREATES A DREAM ALTER EGO IN VIKTOR—ONE THAT BRINGS HIM FACE TO FACE WITH THE GROWING PRESSURE FROM TWO CULTURES. VANJA: “I OFTEN FEEL LIKE A PAWN CAUGHT BETWEEN TWO WORLDS. MY FRIENDS SAY I’M NOT BOSNIAN ENOUGH, AND MY FAMILY THINKS I’M NOT DUTCH ENOUGH. ON A GOOD DAY, I FEEL ENRICHED BY BEING ABLE TO DRAW FROM BOTH CULTURES, BUT ON A BAD DAY, I FEEL LIKE I DON’T TRULY BELONG ANYWHERE.

TOUR
- 12-11-2025 – Het Nationale Theater Den Haag (try-out) / TICKETS
- 13-11-2025 – Het Nationale Theater Den Haag (try-out) / TICKETS
- 14-11-2025 – Het Nationale Theater Den Haag (try-out) / TICKETS
- 15-11-2025 – Het Nationale Theater Den Haag (premiÈre) / TICKETS
- 27-11-2025 – Theater Ins Blau Leiden / TICKETS
- 28-11-2025 – Theater Ins Blau Leiden / TICKETS
- 09-12-2025 – Goudsche Schouwburg Gouda / TICKETS
- 10-12-2025 – De Lieve Vrouw Amersfoort / TICKETS
- 11-12-2025 – De Lieve Vrouw Amersfoort / TICKETS
- 12-12-2025 – Verkadefabriek Den Bosch / TICKETS
- 13-12-2025 – Verkadefabriek Den Bosch * INCLUDING PRELIMINARY TALK / TICKETS
- 17-12-2025 – Theater Rotterdam / TICKETS
- 18-12-2025 – Theater Rotterdam / TICKETS
- 06-01-2026 – Frascati Amsterdam / TICKETS
- 07-01-2026 – Frascati Amsterdam / TICKETS
- 15-01-2026 – Theater Kikker Utrecht / TICKETS
- 16-01-2026 – Theater Kikker Utrecht / TICKETS
- 21-01-2026 – DE NIEUWE VORST TILBURG / TICKETS
- 22-01-2026 – THEATER AAN DE RIJN ARNHEM / TICKETS
- 24-01-2026 – Kunstmin Dordrecht / TICKETS
- 27-01-2026 – SCHOUWBURG ODEON ZWOLLE * INCLUDING PRELIMINARY TALK / TICKETS
- 28-01-2026 – SCHOUWBURG ODEON ZWOLLE / TICKETS
- 04-02-2026 – Schouwburg Amstelveen / TICKETS
- 10-02-2026 – GRAND THEATRE GRONINGEN / tickets
- 13-02-2026 – De Schuur Haarlem / TICKETS
- 14-02-2026 – De Schuur Haarlem / TICKETS
- 19-02-2026 – Lux Nijmegen / TICKETS
- 26-02-2026 – Corrosia Almere / TICKETS
- 27-02-2026 – Het Nationale Theater Den Haag / TICKETS
- 28-02-2026 – Het Nationale Theater Den Haag / TICKETS
About Vanja
Vanja Rukavina was born in 1989 in Sarajevo and grew up in Gouda, the Netherlands. In 2011, he graduated from the Maastricht Academy of Performing Arts and was nominated that same year for the Henriëtte Hustinx Prize for most outstanding student. After graduating, he spent six years performing with Toneelgroep Amsterdam / ITA and another six years with Het Nationale Theater. In 2018, he won the Arlecchino Award for Best Supporting Actor for his role as Damir in The Nation(HNT, directed by Eric de Vroedt). He was also the creator and performer of Nobody Home (Stichting Daria Bukvić; Jury Selection, Nederlands Theaterfestival 2015). PRESSURE POINT is the final part of a trilogy about identity, following his earlier works LANGUAGE (in collaboration with HNT/Zaal 3; nominated for the BNG Bank Theater Prize) and SUPERPOSITION (Toneelschuur Producties). He also appeared in the television series Overspel, Van God Los, and Ik weet wie je bent.
Credits
concept/performance/text Vanja Rukavina | concept development/dramaturgy Thomas Lamers | direction Silke van Kamp | sound design Daniël van Loenen | lighting design Wout Panis | costume/set design Dymph Boss | set construction Merijn Versnel | production Lena Meijer | marketing/PR Tim Treffers | technical support Jorn Kortooms & Samuel Hopkins | business management Jaël Kaat | surtitles (translation & editing) Rinke Brans | voice actors Lara Bakker, Blanca Campins, Kian van de Breevaart Bravenboer, Thomas Dudkiewicz, Markoesa Hamer, Mizuki Kondo, Calyx Older, Hiroshi Ono, Kotaro Ono, Mika Peeters, Ira Prica, Kumi Sekimoto, Karlo Severdija, Tara Tjong-A-Tjoe, Ebony Wilson, Lidija Zelović, Sara Luna Zorić and Siniša Zorić | graphic design Lejla Vala Verheus | photography Mark Engelen | with thanks to Alba Theaterhuis, JG Theatertechniek, Oostpool, Mizuki Kondo and Lidija Zelović
with support from:




